MALCOLM CRAIG SERIES – volumes 1 and 2 in one book; volumes 3 and 4 in one book.

I have decided to publish volumes 1 and 2 in one book. The book is available as a paper back print and epub. The whole thing could be read as a novel complete in itself. Both novels concern the life and career of famous British tenor. Malcolm Craig, his successful career in Britain, and his three marriages. Read more about all my books at: Fiona Compton’s books.

Just the Echo of a Sigh and Faint Harmony - 2 novels in one volume

Dec 22, 2015
I was glad to see these two volumes combined in one book as they could be read as a complete book without reading volumes 3 and 4. Fiona Compton has made no secret of the fact that all 4 volumes in the Malcolm Craig series are combinations of Roman a clef and biographical/autobiographical novels. The first two novels are based on her own research about Malcolm Craig and Marina Dunbar in the years of their illustrious lives and theatrical careers until 1956 before she met them, although parts of these books are pure fiction, while other parts are largely true.
She has succeeded in creating the atmosphere of the early part of the twentieth century, World War Two and the immediate post war years as they relate to Malcolm and Marina’s lives and careers. I recommend this interesting double novel featuring the lively lives and careers of Fiona Compton’s fictional heroes – Malcolm and Marina.
Jean Collen

The last two novels in the Malcolm Craig series combined in one book:

The last two novels in the Malcolm Craig series combined in one book.
The last two novels in the Malcolm Craig series combined in one book.
Combined last print

 Review:

Once again, volumes 3 and 4 of the Malcolm Craig series could be read as one novel. Most of it is set in South Africa to where Malcolm Craig and Marina Dunbar move in 1956 after problems with the British Inland Revenue. Their lives have taken a new direction in a new country. Their marriage is no happier than it was for many years in the UK, and Kate Kyle (the fictional name for Fiona Compton herself) now writes her Roman a Clef/autobiographical novel largely from her own experience, although there are still many fictional elements in the story. In many ways, the idea of Kate and Malcolm having an affair when she is in her late teens, and Malcolm is married, and 42 years older than her, might seem like a shocking state of affairs. The story held my interest and the conclusion to the saga is satisfactory (depending on your point of view) although it is possible that Fiona Compton used her imagination rather than fact to reach this conclusion.

I found Love Set to Music most interesting. Neither Kate Kyle nor Malcolm Craig are covered in glory and some might consider their spring/winter relationship unseemly even over fifty years later. They obviously felt deeply for one another and Malcolm Craig’s wife, Marina Dunbar, was not without blame. I sincerely hope that the final novel will reach a satisfactory conclusion otherwise the emotion generated by the affair which changed the life of Kate Kyle/Fiona Compton radically without bringing her lasting happiness would have been a meaningless waste of time.

The final novel in the Malcolm Craig series, A Song for You and Me, held my interest even more than the three earlier books as this final novel reaches a conclusion to the tale.

Like the Christmas Special which concluded the long-running Downton Abbey, the end of Fiona Compton’s novel reaches a satisfactory resolution although the finale of the Malcolm Craig series is merely implied, rather than described in graphic detail. One is left to imagine what happens to Malcolm, Kate, and Marina in the years that follow.

Somehow I doubt whether the conclusion of this series of novels is the way the tale ended in reality, but perhaps that is why Fiona Compton chose to present it as a work of fiction rather than fact.

Jean Collen

Both books are available as paperbacks and as epubs. Have a look at Fiona’s Store – Fiction with a musical theme

All the cover photos in the series are by Errol Collen.

Fiona Compton.

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A SONG FOR YOU AND ME – FOURTH AND FINAL NOVEL IN THE MALCOLM CRAIG SERIES.

I completed writing A Song For You and Me during the NaNoWriMo month of November 2015.This is the final novel in the Malcolm Craig series. It is available as a paperback print and an Epub.

Paperback: A Song for You and Me

 

Epub: A Song for You and Me

Reviews

I have finished reading the final novel in the Malcolm Craig series and it held my interest as much as the three earlier books, perhaps even a little more than the previous books as the final novel reaches a conclusion to the tale.

Like the Christmas Special which concluded the long-running Downton Abbey, the end of Fiona Compton’s novel reaches a satisfactory resolution.The finale of the series is merely implied, rather than described in graphic detail and one is left to imagine what happens to Malcolm, Kate, and Marina in the years that follow.

Somehow I doubt whether the end of the series is the way the tale ended in reality, but perhaps that is why Fiona Compton chose to present it as a work of fiction rather than fact.

Jean Collen – 14 January 2016.

 

Pearl Harris's review
Pearl Harris is a highly-respected freelance writer, editor, proofreader and translator who lives and works in the Czech Republic. Her website is: Pearl Harris

 

 

A random sample from the book:

Marina

I was rather surprised when Steve Baxter phoned to ask me if I would
be a guest on his radio programme in a few day’s time. Considering how devoted he was to Helen and how studiously he had avoided me since our affair and our ill-fated holiday together the year before, I was amazed that Helen had allowed him to ask me to do such an interview.
 “Do you think that is a good idea, considering our history, Steve?” I asked.
 “I know it might be rather uncomfortable for us, Marina, but this isn’t my idea. My boss was quite insistent about it and I could hardly refuse without causing unpleasantness. Please, Marina – we’re both professionals. I’m sure we can handle this without any discomfort, can’t we? You might bring in one of Malcolm’s recordings to play on the programme. There wouldn’t be any doubt that you are both committed
to your marriage, just as I am committed to my marriage with Helen. After all, the programme only lasts for fifteen minutes.”
“I had better ask Malcolm first, Steve. He might not approve. I’ll
phone you tonight after I’ve spoken to him.”
As I expected, Malcolm didn’t care one way or the other whether I
did the interview or not.
 “It’s entirely up to you, Marina,” he said coldly. “I still think it’s a shame that you didn’t run off with Steve Baxter when you had the chance. We might all be feeling much happier by now if you had.”
 “By all, I suppose you are including Katie,” I replied. “Why do you have to be so mean to me all the time, Malcolm?”
“I’m not being mean, just stating the exact truth. Go and do the
interview with him. You don’t need my permission to do that or any other damned thing you please.”
“So you wouldn’t care if I decided to have an affair with someone
else?” I asked.
“Why should I? Have you someone else in mind?”
“You might be surprised to hear that I do have someone in mind,
someone who treats me far better than you do.”
“Well go ahead and enjoy yourself. See if I care.”
He marched out of the room leaving me feeling quite miserable, but
angry at the same time. I picked up the telephone. It was Helen who answered in obsequious tones, “The Baxter residence,” she simpered.
“Is Steve there?” I asked without any preliminary greeting.
“Who shall I say is calling?” she asked – as though she didn’t know!
“Marina Dunbar,” I replied coldly. “I would have thought you might
have recognised my voice, Helen.”
She didn’t answer but I heard her calling Steve in thin tones.
“Phone for you, darling…”
 “Malcolm has agreed that I can do the interview,” I told him. “What time do you want me at the studios?”
Surprisingly the interview went better than I expected it to. We
chatted about this and that and ended the interview with Malcolm’s recording of One Day When We were Young. “Thank you, darling,” I said in sugary tones when it finished. I was surprised at how I could put on such an act when I was feeling entirely fed up with my unsatisfactory life.
The only person who was cheering me up these days was our singing
pupil, Brandon Black, who thought the world of me and was willing to do
anything possible to please me. In a way he reminded me of Harry, although there was no question of going to bed with him at this stage. I was twelve years older than him, and although I knew he thought the world of me for the moment it was better to be good friends without the complications a sexual relationship usually brings.
I returned to the studio immediately after the broadcast. Malcolm
was having a rest before the next pupil arrived. There was a faint smell of
perfume in the air over-riding the usual smell of his stale cigarette tobacco.
“Did you listen to my broadcast?” I asked.
“Yes! Very well done,” he said absently.
“Who was in the studio while I was away?” I asked sharply.
“Nobody. What makes you think there was someone here? I had a sandwich and then I had a bit of a rest and listened to your interview.”
I couldn’t be bothered to argue with him. The next pupil was due any
moment and I didn’t want to upset myself by asking if Kate had been in to see him because she knew I would be at the radio studios and had taken any
opportunity to be with him. I let it go, but my suspicions remained.

Fiona Compton 
28 November 2015

JUST THE ECHO OF A SIGH (Taster)

Just the Echo of a Sigh, the first novel in the Malcolm Craig series by Fiona Compton.
Just the Echo of a Sigh, the first novel in the Malcolm Craig series by Fiona Compton.

Book available as a paperback and epub digital book at: Fiona’s Store – Fiction with a Musical Theme

Taster

PROLOGUE

FELICITY GREGORY

“Your tiny hand is frozen; let me warm it into mine…”

Malcolm Craig cast his eyes over the first few rows of the audience in St Mary’s Church Hall.  There were few signs of the latest liberated fashions of the twenties amongst the women in this staid, largely middle-aged crowd. Even most of the young women there were clad in the fashions and sombre colours of the previous decade. Not many flappers, with bobbed hair and close-fitting cloche hats were to be found in this conservative crowd. Many of those in the audience were still mourning the loss of their loved ones who had died in the Great War or had come home physically or mentally maimed. Others had succumbed to the Spanish ‘flu pandemic at the end of the decade. The only vanity the women displayed were cumbersome ornate hats which blocked the view of the stage to those seated behind them.

He was reaching the climax of the aria from La Bohème where his full attention should have been on the delicate high note at the end of the aria, when he caught sight of Felicity at last. She was further back than he had expected, seated demurely between her stern father and her scrawny twittery mother. Her two younger brothers completed the Gregory family party who were present at St Mary’s especially to hear Felicity’s young man singing.

Malcolm was going to London the following week to begin rehearsals for the new season of the touring Kings Opera Company. Despite his outstanding voice, his singing would be confined to the chorus, with only the occasional small role to fulfil, and although he would be given leading parts to understudy it was unlikely that many of the principals would be absent and give him a chance to stand in for them.

He took the last note of the aria in a delicate falsetto, and the audience erupted into cheers for Mr and Mrs Craig’s’ gifted son. He acknowledged the applause gracefully and drew his accompanist, the old Church organist and choirmaster, who had known Malcolm since his early days as a mellifluous boy alto, forward to receive his share of appreciation for the performance. He looked directly at Felicity and was gratified to see that she was applauding wildly. With the lights up, he saw that her face was flushed and her eyes were shining. She was aglow with the unaccustomed excitement of the occasion. All this applause was for her boyfriend who had acquitted himself beyond everyone’s expectations in his first solo recital.

Tea would be served to the audience after the concert, as it was on every occasion. The vicar believed that half the people present came to enjoy the liberal tea rather than because they were really interested in the event itself. Already stalwarts of the Mothers’ Union were gathering in the hall kitchen, competing with the applause as they clattered cups and saucers into position on the long trestle tables. The last thing Malcolm wanted to do after his recital was to make polite conversation with his large family and Felicity and her parents over a cup of weak lukewarm tea and a slice of seed cake. He wanted Felicity all to himself, to hold her tightly in his arms and see her rejoice in his good fortune. But he knew he would have to break the news of his change of career to them before he could relax and enjoy the success of the evening. He joined his parents and his older brothers and sisters, as they waited for tea to be served. Already he was feeling far more nervous about the ordeal to follow than he had been about giving the recital.

“That was wonderful, Malcolm,” said his mother proudly. ‘You’re as good as a real professional singer now. It was so good of you to sing for your old friends at St Mary’s and help the vicar to raise money for the Organ Fund.”

His father growled in agreement and his older sisters and brothers crowded round him, eager to be associated with their talented and attractive young brother, who, at the age of twenty, towered above his parents and siblings.

“Glad you all enjoyed it,” he replied nonchalantly. “But I could certainly do with more than a cup of tea after that lot! I’m exhausted!”

The vicar creaked up the stairs to the hall stage during the tea. He called authoritatively for silence so that he might give his prepared vote of thanks to Malcolm. He announced triumphantly that the Church had raised a considerable amount towards the Organ Fund from the proceeds of the concert. Gloved hands applauded warmly, if mutely, and Malcolm smiled modestly, silently acknowledging the gratitude of the congregation.

Some of Malcolm’s old school mates approached him diffidently. When they were younger they had been his boon companions, cheering themselves hoarse in support of the local football team, but now Malcolm’s burgeoning gift set him apart from them, although he himself had not changed for he had always been able to sing. Since he had begun serving articles in a Birmingham firm of accountants, studying singing in his spare time and singing tenor solos for various choral societies, he had not had time to go to football matches any more. He had also been advised that he could ruin his voice if he cheered on his team with abandon every week.

He reached Felicity at last, relieved to see that her parents were momentarily away from her, doing their duty by mingling with their middle-aged, middle class companions.

“That was beautiful, Malcolm,” Felicity whispered, as he reached for her hand, warm through her glove, quite unlike the tiny hand of his recent aria. “My stomach was turning over with excitement when I listened to you. Were you singing just for me?”

“Always for you, darling,” he replied hoarsely.

Her red hair shone like a bright cap on her well-shaped head. She looked pretty, pert and modern with her new hairstyle, but Malcolm regretted the loss of her unruly curls which she used to pin up with pretty tortoiseshell clasps. On the few occasions they had managed to be alone together he had delighted in freeing her hair from the clasps and running his hands through her shining luxuriant curls as he held her close…

This book is available at Fiona’s Store as a paperback or as an epub ebook.

FIONA COMPTON’S FICTION

Fiona Compton is the pen name for Jean Collen’s fiction writing. I have published 5 fiction books on Lulu.com as paper backs and as epub digital books.

I Can’t Forget You was my first novel, originally published in 2010.

I Can't Forget You by Fiona Compton
I Can’t Forget You by Fiona Compton

Pearl Harris, translator, writer and proofreader, wrote the following review:

Aug 21, 2010

Once I started reading Fiona Compton’s romantic novel, I could not put it down. I soon became involved in the emotions and events of the main characters’ lives. Derek Bailey attracts females and trouble wherever he goes, due to his charisma and talent. How the women in his life deal with subsequent events must touch a chord in the heart of every female reader who has ever fallen prey to the charms of a philanderer. The writing style is flowing and the dialogue authentic. Place descriptions set the scene firmly in 20th-century Britain. I particularly enjoyed the Scottish dialect (the author having been born in Scotland, this too is genuine!)and the descriptions of daily life in London. This is no run-of-the-mill romantic novel. Due to the author’s musical knowledge, “I can’t forget you” has a depth and authenticity lacking in most novels of this genre. You will not want to put this book down before discovering what the final outcome of the hero’s romantic entanglements is to be.

At the same time, I published a collection of short stories – The Song is Ended and Other Stories. 

The Song is Ended and other stories by Fiona Compton
The Song is Ended and other stories by Fiona Compton

Here are two of the reviews:

By mjpotenza

Any fan of short stories will enjoy this selection of entertaining tales by Fiona Compton. The author presents women’s viewpoints, emotions, and experiences accurately and uniquely. The women characters are interesting, complex, and sympathetic (the men are mostly cads). One wonders how much is autobiographical. The writing is descriptive and precise. The style flows nicely, making for easy and pleasant reading. The Wedding Singer, Miss Stratton Disappears, and The Sunset Gleams, to name a few, all have the right combination of humour and sadness. In short, these well written stories are very enjoyable.

By Pearl Harris

10-Sep-2011

Each short story in this collection is refreshingly different and will touch a chord in the heart of most female readers. All the characters are masterfully and realistically portrayed. Many of the incidents depicted are those which affect all women at various times in their lives and with which the reader can readily empathise. Some bring a chuckle and a feeling of optimism, others a feeling of sadness. All left a lasting impression on me. Fiona Compton’s voice is a charming mix, evidence of her Scottish, South African and musical roots. These stories particularly appeal to me as an expatriate South African, as many of them richly evoke the South African lifestyle. However, all are timeless in their own right and certainly worth reading by both women and men, whatever their nationality.

I have published three novels in the Malcolm Craig series and hope to publish two more to complete the series.The first novel in the series is called Just the Echo of a Sigh

It was published at the end of 2013.

Just the Echo of a Sigh, the first novel in the Malcolm Craig series by Fiona Compton.
Just the Echo of a Sigh, the first novel in the Malcolm Craig series by Fiona Compton.

The second novel in this series about Malcolm Craig is called Faint Harmony

Faint Harmony, second novel in the Malcolm Craig series, by Fiona Compton.
Faint Harmony, second novel in the Malcolm Craig series, by Fiona Compton.

I have recently published the third novel in the series, entitled Love Set to Music

Love Set to Music, the third novel in the Malcolm Craig series, by Fiona Compton
Love Set to Music, the third novel in the Malcolm Craig series, by Fiona Compton

All the books mentioned in this post are published in paperback and epub format. Have a look at my storefront on Lulu at Fiona’s Store – fiction with a musical theme

I have created a “like” page on Facebook at: Fiona Compton

Fiona Compton – September 2015.