I have decided to publish volumes 1 and 2 in one book. The book is available as a paper back print and epub. The whole thing could be read as a novel complete in itself. Both novels concern the life and career of famous British tenor. Malcolm Craig, his successful career in Britain, and his three marriages. Read more about all my books at: Fiona Compton’s books.
Dec 22, 2015
I was glad to see these two volumes combined in one book as they could be read as a complete book without reading volumes 3 and 4. Fiona Compton has made no secret of the fact that all 4 volumes in the Malcolm Craig series are combinations of Roman a clef and biographical/autobiographical novels. The first two novels are based on her own research about Malcolm Craig and Marina Dunbar in the years of their illustrious lives and theatrical careers until 1956 before she met them, although parts of these books are pure fiction, while other parts are largely true.
She has succeeded in creating the atmosphere of the early part of the twentieth century, World War Two and the immediate post war years as they relate to Malcolm and Marina’s lives and careers. I recommend this interesting double novel featuring the lively lives and careers of Fiona Compton’s fictional heroes – Malcolm and Marina.
The last two novels in the Malcolm Craig series combined in one book:
Once again, volumes 3 and 4 of the Malcolm Craig series could be read as one novel. Most of it is set in South Africa to where Malcolm Craig and Marina Dunbar move in 1956 after problems with the British Inland Revenue. Their lives have taken a new direction in a new country. Their marriage is no happier than it was for many years in the UK, and Kate Kyle (the fictional name for Fiona Compton herself) now writes her Roman a Clef/autobiographical novel largely from her own experience, although there are still many fictional elements in the story. In many ways, the idea of Kate and Malcolm having an affair when she is in her late teens, and Malcolm is married, and 42 years older than her, might seem like a shocking state of affairs. The story held my interest and the conclusion to the saga is satisfactory (depending on your point of view) although it is possible that Fiona Compton used her imagination rather than fact to reach this conclusion.
I found Love Set to Music most interesting. Neither Kate Kyle nor Malcolm Craig are covered in glory and some might consider their spring/winter relationship unseemly even over fifty years later. They obviously felt deeply for one another and Malcolm Craig’s wife, Marina Dunbar, was not without blame. I sincerely hope that the final novel will reach a satisfactory conclusion otherwise the emotion generated by the affair which changed the life of Kate Kyle/Fiona Compton radically without bringing her lasting happiness would have been a meaningless waste of time.
The final novel in the Malcolm Craig series, A Song for You and Me, held my interest even more than the three earlier books as this final novel reaches a conclusion to the tale.
Like the Christmas Special which concluded the long-running Downton Abbey, the end of Fiona Compton’s novel reaches a satisfactory resolution although the finale of the Malcolm Craig series is merely implied, rather than described in graphic detail. One is left to imagine what happens to Malcolm, Kate, and Marina in the years that follow.
Somehow I doubt whether the conclusion of this series of novels is the way the tale ended in reality, but perhaps that is why Fiona Compton chose to present it as a work of fiction rather than fact.
“Your tiny hand is frozen; let me warm it into mine…”
Malcolm Craig cast his eyes over the first few rows of the audience in St Mary’s Church Hall. There were few signs of the latest liberated fashions of the twenties amongst the women in this staid, largely middle-aged crowd. Even most of the young women there were clad in the fashions and sombre colours of the previous decade. Not many flappers, with bobbed hair and close-fitting cloche hats were to be found in this conservative crowd. Many of those in the audience were still mourning the loss of their loved ones who had died in the Great War or had come home physically or mentally maimed. Others had succumbed to the Spanish ‘flu pandemic at the end of the decade. The only vanity the women displayed were cumbersome ornate hats which blocked the view of the stage to those seated behind them.
He was reaching the climax of the aria from La Bohème where his full attention should have been on the delicate high note at the end of the aria, when he caught sight of Felicity at last. She was further back than he had expected, seated demurely between her stern father and her scrawny twittery mother. Her two younger brothers completed the Gregory family party who were present at St Mary’s especially to hear Felicity’s young man singing.
Malcolm was going to London the following week to begin rehearsals for the new season of the touring Kings Opera Company. Despite his outstanding voice, his singing would be confined to the chorus, with only the occasional small role to fulfil, and although he would be given leading parts to understudy it was unlikely that many of the principals would be absent and give him a chance to stand in for them.
He took the last note of the aria in a delicate falsetto, and the audience erupted into cheers for Mr and Mrs Craig’s’ gifted son. He acknowledged the applause gracefully and drew his accompanist, the old Church organist and choirmaster, who had known Malcolm since his early days as a mellifluous boy alto, forward to receive his share of appreciation for the performance. He looked directly at Felicity and was gratified to see that she was applauding wildly. With the lights up, he saw that her face was flushed and her eyes were shining. She was aglow with the unaccustomed excitement of the occasion. All this applause was for her boyfriend who had acquitted himself beyond everyone’s expectations in his first solo recital.
Tea would be served to the audience after the concert, as it was on every occasion. The vicar believed that half the people present came to enjoy the liberal tea rather than because they were really interested in the event itself. Already stalwarts of the Mothers’ Union were gathering in the hall kitchen, competing with the applause as they clattered cups and saucers into position on the long trestle tables. The last thing Malcolm wanted to do after his recital was to make polite conversation with his large family and Felicity and her parents over a cup of weak lukewarm tea and a slice of seed cake. He wanted Felicity all to himself, to hold her tightly in his arms and see her rejoice in his good fortune. But he knew he would have to break the news of his change of career to them before he could relax and enjoy the success of the evening. He joined his parents and his older brothers and sisters, as they waited for tea to be served. Already he was feeling far more nervous about the ordeal to follow than he had been about giving the recital.
“That was wonderful, Malcolm,” said his mother proudly. ‘You’re as good as a real professional singer now. It was so good of you to sing for your old friends at St Mary’s and help the vicar to raise money for the Organ Fund.”
His father growled in agreement and his older sisters and brothers crowded round him, eager to be associated with their talented and attractive young brother, who, at the age of twenty, towered above his parents and siblings.
“Glad you all enjoyed it,” he replied nonchalantly. “But I could certainly do with more than a cup of tea after that lot! I’m exhausted!”
The vicar creaked up the stairs to the hall stage during the tea. He called authoritatively for silence so that he might give his prepared vote of thanks to Malcolm. He announced triumphantly that the Church had raised a considerable amount towards the Organ Fund from the proceeds of the concert. Gloved hands applauded warmly, if mutely, and Malcolm smiled modestly, silently acknowledging the gratitude of the congregation.
Some of Malcolm’s old school mates approached him diffidently. When they were younger they had been his boon companions, cheering themselves hoarse in support of the local football team, but now Malcolm’s burgeoning gift set him apart from them, although he himself had not changed for he had always been able to sing. Since he had begun serving articles in a Birmingham firm of accountants, studying singing in his spare time and singing tenor solos for various choral societies, he had not had time to go to football matches any more. He had also been advised that he could ruin his voice if he cheered on his team with abandon every week.
He reached Felicity at last, relieved to see that her parents were momentarily away from her, doing their duty by mingling with their middle-aged, middle class companions.
“That was beautiful, Malcolm,” Felicity whispered, as he reached for her hand, warm through her glove, quite unlike the tiny hand of his recent aria. “My stomach was turning over with excitement when I listened to you. Were you singing just for me?”
“Always for you, darling,” he replied hoarsely.
Her red hair shone like a bright cap on her well-shaped head. She looked pretty, pert and modern with her new hairstyle, but Malcolm regretted the loss of her unruly curls which she used to pin up with pretty tortoiseshell clasps. On the few occasions they had managed to be alone together he had delighted in freeing her hair from the clasps and running his hands through her shining luxuriant curls as he held her close…
This book is available at Fiona’s Store as a paperback or as an epub ebook.
Pearl Harris, translator, writer and proofreader, wrote the following review:
Aug 21, 2010
Once I started reading Fiona Compton’s romantic novel, I could not put it down. I soon became involved in the emotions and events of the main characters’ lives. Derek Bailey attracts females and trouble wherever he goes, due to his charisma and talent. How the women in his life deal with subsequent events must touch a chord in the heart of every female reader who has ever fallen prey to the charms of a philanderer. The writing style is flowing and the dialogue authentic. Place descriptions set the scene firmly in 20th-century Britain. I particularly enjoyed the Scottish dialect (the author having been born in Scotland, this too is genuine!)and the descriptions of daily life in London. This is no run-of-the-mill romantic novel. Due to the author’s musical knowledge, “I can’t forget you” has a depth and authenticity lacking in most novels of this genre. You will not want to put this book down before discovering what the final outcome of the hero’s romantic entanglements is to be.
Any fan of short stories will enjoy this selection of entertaining tales by Fiona Compton. The author presents women’s viewpoints, emotions, and experiences accurately and uniquely. The women characters are interesting, complex, and sympathetic (the men are mostly cads). One wonders how much is autobiographical. The writing is descriptive and precise. The style flows nicely, making for easy and pleasant reading. The Wedding Singer,Miss Stratton Disappears, and The Sunset Gleams, to name a few, all have the right combination of humour and sadness. In short, these well written stories are very enjoyable.
By Pearl Harris
Each short story in this collection is refreshingly different and will touch a chord in the heart of most female readers. All the characters are masterfully and realistically portrayed. Many of the incidents depicted are those which affect all women at various times in their lives and with which the reader can readily empathise. Some bring a chuckle and a feeling of optimism, others a feeling of sadness. All left a lasting impression on me. Fiona Compton’s voice is a charming mix, evidence of her Scottish, South African and musical roots. These stories particularly appeal to me as an expatriate South African, as many of them richly evoke the South African lifestyle. However, all are timeless in their own right and certainly worth reading by both women and men, whatever their nationality.
I have published three novels in the Malcolm Craig series and hope to publish two more to complete the series.The first novel in the series is called Just the Echo of a Sigh
It was published at the end of 2013.
The second novel in this series about Malcolm Craig is called Faint Harmony