I added the following review of Duet to Jean Collen’s site this morning. The link to her bookstore is: JEAN COLLEN’S BOOKSTORE
Like my page on Facebook: FIONA FICTION
I added the following review of Duet to Jean Collen’s site this morning. The link to her bookstore is: JEAN COLLEN’S BOOKSTORE
Like my page on Facebook: FIONA FICTION
This book was Fiona Compton’s first novel. She wrote it many years ago and put it away in a drawer. Comparatively recently she took it out and revised it. A taster from the prologue of the book appears below.
This review was submitted by language practitioner PEARL HARRIS when the book was first published:
Aug 21, 2010
Once I started reading Fiona Compton’s romantic novel, I could not put it down. I soon became involved in the emotions and events of the main characters’ lives. Derek Bailey attracts females and trouble wherever he goes, due to his charisma and talent. How the women in his life deal with subsequent events must touch a chord in the heart of every female reader who has ever fallen prey to the charms of a philanderer. The writing style is flowing and the dialogue authentic. Place descriptions set the scene firmly in 20th-century Britain. I particularly enjoyed the Scottish dialect (the author having been born in Scotland, this too is genuine!)and the descriptions of daily life in London. This is no run-of-the-mill romantic novel. Due to the author’s musical knowledge, “I can’t forget you” has a depth and authenticity lacking in most novels of this genre. You will not want to put this book down before discovering what the final outcome of the hero’s romantic entanglements is to be.
“The guest in Musical Memories tonight is the distinguished tenor, Derek Bailey, who celebrates his seventieth birthday today. Join Michael Broadstairs in conversation with Derek Bailey at 8.30 this evening.”
The television set was the focal point of the tiny sitting room of the modest terrace house in South Lambeth. It stood at an angle in the corner of the room with the armchairs and couch of the old-fashioned maroon lounge suite facing towards it. The only other item in the room was a large veneer cocktail cabinet, which had been George Pratt’s proudest and most utilised possession when he was alive. He had died five years earlier, and the two remaining occupants of the little house had little use for it except as a handy receptacle for the odds and ends they brought into the room to keep themselves comfortable and well fed while they watched television.
Although it was springtime, the atmosphere was redolent with the mingled odours of fish and vinegar, more in keeping with a cold winter’s night than a pleasant spring evening. The elderly occupants were settled deep in their armchairs eating from TV trays.
Mrs Pratt, George’s widow, uttered an exclamation at the announcement. She turned eagerly to her younger sister, expecting her to react to the words in some way, but judging by the remote expression on Elspeth McPhail’s face, she doubted whether Elspeth had even heard the announcement. Her sister was eating her fish and chips slowly, staring at the television screen without registering any visible emotion.
“Did you hear that, El?” asked Mrs Pratt. “I thought he had died years ago. To think we’ll be seeing your old flame after all these years.”
Mary Pratt was surprised that Elspeth McPhail only smiled faintly in response. Mary thought it would be interesting to see Elspeth’s old boss again after nearly forty years, yet she doubted whether she would have the patience to listen to him blathering away about the technicalities of singing for the full half-hour. But it might cheer Elspeth up to see him and they could always switch over to the variety show if Derek Bailey’s interview proved too dull for them.
“You were a bonny girl and could have had any man you pleased, but after Derek Bailey married that singer Helen Dean, the sparkle seemed to go out of you.”
“I don’t want to talk about Derek Bailey,” Miss McPhail retorted irritably. “Let’s just enjoy the telly while we eat our tea.”
Somewhat disappointed at Elspeth’s calm demeanour in the light of the significant announcement on the TV, Mary Pratt fell silent and settled down again to watch her favourite soapie. After a bleak day doing her share of cleaning and cooking in the small house, she was only too pleased to immerse herself in Coronation Street where everybody led such eventful lives compared to their own dull lives, and even the most casual conversations proved to be of the deepest significance to the development of the plot. Periodically she glanced at Elspeth, but still her sister gave no outward hint of her feelings as she continued to stare impassively at the flickering television screen.
Mary could not help remembering that she herself had been responsible for curtailing Elspeth’s relationship with Derek Bailey. She had never told her sister that several years after his shot-gun marriage to Helen Dean, Derek Bailey had arrived at this very house in a distraught state, begging Mary to tell him how he could find Elspeth. She had sent him away, claiming that her sister was on the point of marrying someone else and refused to give Derek Bailey her address. At the time she thought she was acting in Elspeth’s best interests and that she would eventually marry Archie Taggart and forget all about Derek, but here she was, after a life time spent in domestic service, still unmarried with only distant memories of the halcyon days she had spent with Derek Bailey to sustain her.
Elspeth resented retirement. After forty years as housekeeper to a variety of employers, she found enforced inactivity dull. Her interests, once so varied, had been whittled down to occasional trips to the local library and mindless nights of fish and chips eaten on a tray in front of the telly. It was only when she was alone in her small bedroom that she was free to remember the exciting days when she had been ecstatically happy with Derek and had lived her life to the full.
Tonight, despite her outward calm in front of Mary, her long-term lethargy had indeed been dispelled. At the mention of her old employer’s name, her fingertips had tingled as long-forgotten emotions and memories, too deep-seated and intimate ever to share with her garrulous sister, resurfaced.
Derek Bailey had been Elspeth’s first employer shortly after she arrived from Scotland as a raw and ignorant young girl. He was making his name as a singer when she became his housekeeper, and after she left his employ, his glowing reference had ensured that she became housekeeper to a succession of other famous and sometimes titled people. But although the conditions of her employment and salary improved with every move she made, none of her subsequent employers ever made the profound impression on her life as Derek Bailey himself had done.
She had never stopped thinking of Derek for the rest of her life, nor had she found another man to match him, although she had received a few offers of marriage in her time. In the years of Derek Bailey’s success, she had listened to his broadcasts, collected his records and kept scrapbooks of cuttings about his performances and his colourful personal life. When she managed to save some extra money she had even attended some of his concerts and had felt proud that his performances were received with such enthusiasm. But over the last ten years, there had been fewer broadcasts, concerts, or newspaper cuttings to give her staid life the occasional frisson of excitement.
She had heard so little about him lately that she often wondered whether he was still alive and in good health. Her sister asked her why she took the Daily Telegraph. It seemed like a highfalutin newspaper for plain people like them. Elspeth justified buying the paper, citing that it was well-written with excellent political and arts coverage. She even whiled away her spare time trying her hand at the daily crossword. But she refused to admit to her sister that the real reason she took the paper was because of its extensive obituary page. If anything happened to Derek, she trusted the Daily Telegraph to let her know at once and to write a fitting tribute to him.
She would watch Musical Memories tonight. If she chose to do so, she could share with the world a number of non-musical memories concerning Derek Bailey, but so far she had never confided them to anyone, not even to her own sister. Nobody was ever likely to hear of the bond which had once existed between Elspeth McPhail, now a sixty-two year old working-class spinster, and Derek Bailey, celebrated tenor.
The intrigues of the folk in Coronation Street were lost to her that night as she thought of the intrigue of forty years before which had coloured her life for all time.
Linda Bailey regarded herself in her dressing-table mirror with well-founded satisfaction. She had been to her hairdresser that afternoon for a rinse and set. The light auburn colour of her hair suited her pale complexion and complemented her deep green eyes. She was wearing her low-cut, figure-hugging aquamarine evening dress and the ruby necklace and earrings Derek had given her as a present for a distant wedding anniversary. She anticipated the comments of the women at the party to be held in Derek’s honour after the interview.
“The old girl must be sixty if she’s a day, but doesn’t she still look marvellous? She could easily pass for thirty-five – in the right light!”
Linda looked forward to being the centre of attraction again, fêted by eminent theatrical and musical people because she was Derek’s wife. Derek had retired from the Kings Opera company some years earlier to become a celebrated teacher of singing at one of the music colleges, but his dry academic colleagues bored her in comparison to the flamboyant theatrical and musical colleagues she had known while he was still performing. It horrified her to realise that almost two generations knew Derek only from an occasional lecture-recital, the old seventy-eights and the few long-playing records he had made towards the end of his singing career.
On rare occasions when the BBC risked its recording equipment to play one of his records, there was usually a cautionary preface, “Now for one of our historical recordings by veteran tenor, Derek Bailey. Please excuse the scratchy surface…”
Linda tried to console herself with the fact that the veteran had worn very well and was still handsome and charming enough to turn a number of greying heads and, more worryingly for Linda, a few blonde, brunette and auburn heads also. She always made a determined effort to laugh off his flirtations with the legion of young women who were invariably flattered by the light-hearted attentions of a famous man.
She told friends airily that he had a predilection for young girls, aged eighteen to twenty-five, as though it was all a great joke, but it had amazed her that recently he had the gumption to expand one of these flirtations into a serious and long-lasting affair. It seemed she had managed to persuade Derek to end that ludicrous fiasco. He was going to see the little bitch for the last time tomorrow to let her know their affair was at an end, once and for all. At least, that is what Derek told her he would do but she was not sure whether she could believe him. But then, he had little reason to be entirely confident of her lasting fidelity and honesty either.
She turned to him. He was sitting in a fat armchair, sipping a small whisky. These days he preferred to spend the evenings at home reading an entertaining novel, rather than face the drive through busy London streets, but the invitation to appear on Musical Memories had been too intriguing to turn down.
He rose reluctantly with only the merest suggestion of creakiness, and glanced briefly at himself in his wife’s mirror. His evening suit was nearly twenty-five years old, but skilful alterations allowed it to hang as stylishly on him as it had ever done.
“Nobody will believe you’re a day over sixty, darling,” smiled Linda, reading his thoughts. “Not a bad looking pair for our ages, are we? We’ve been through some torrid times lately, but we are going to be happy now, aren’t we? Our marriage hasn’t been a complete disaster?”
Derek Bailey met his wife’s scrutinising gaze and made an effort to keep the doubt from reflecting in his sad dark eyes.
“You’re beginning to sound like a publicity handout, darling,” he said lightly. “Now then, are you ready? We’d better be off sharp otherwise there’ll be no memories, musical or otherwise tonight.”
As he put the ignition key into the Jaguar, he suddenly remembered that he had promised he would try to phone Jane before the broadcast. He had no trouble visualising her, seated on that little stool beside the telephone of the flat in Earls Court Square, eating her heart out because he had not rung her as he had promised. If he lived to be a hundred, he would never understand why Jane cared about him as she did. No matter how famous he had once been, he was only a tired old man who was finding it increasingly draining on his emotions to maintain their clandestine relationship. He was dreading tomorrow when he had promised Linda he would see Jane for the last time. Jane had asked little of him over the five years of their intense affair, but he knew she still cared for him deeply. Yet, since his return from Australia, he had sensed a subtle change in her, almost as if she were expecting their relationship to flounder but didn’t know how to rescue it.
He tried to shut thoughts of her out of his mind as he glanced at Linda. He had swept his entire life aside in his determination to marry her, caring nothing about the bad publicity he had received when he and Helen divorced shortly before the war, at a time when divorce was more difficult to obtain and caused more scandal than it would do today.
He could not even claim that Linda had been the love of his life. After Elspeth, no other woman had managed to stir the same depth of feeling in him. Certainly Linda had been a beautiful and charming young girl, but even before the divorce from Helen was final, his initial enchantment with her had already faded. He would have preferred to have held on to his hard won freedom and devote himself to his work without being tied down in another marriage, but he had felt obliged to marry Linda because of the scandal she and her family had endured during the divorce proceedings. But now the passage of time had dimmed the public’s memory of their shocking liaison, and their long marriage was generally considered to be a happy, fairy-tale confection.
Jane had never expected him to go through another publicity-laden divorce for her sake. He had made it clear from the beginning of their affair that he could never divorce Linda. He owed it to her to stay with her in their old age.
They had arrived at TV Centre. Derek braced himself for their entrance, and with a genial expression on his face he and Linda entered the foyer, arm in arm, the epitome of public happiness and graciousness. Michael Broadstairs was waiting for them. Usually he sent his assistant down to collect his guests, but Derek was one of his oldest friends from their early days in London.
“Marvellous to see you both,” he was saying, “You look younger every day, Linda, my dear.”
Linda basked in the warmth of Michael’s compliment and drew her soft wrap closer to her, flashing her charming smile at Michael, enveloping him in the glow of her outwardly warm personality. At that moment she felt confident in the lasting devotion of her husband. She had recovered from the shock of Derek’s five-year affair with a plain unassuming girl forty years his junior whom she would not have noticed at a dinner party, far less in a crowd.
Jane Walters was not really listening to what her mother was saying on the telephone. She kept glancing at her watch anxiously, wondering how she could stem the constant flow of Mrs Walters’ inconsequential chatter.
“..So Dad’s off to Kettering tomorrow to see whether Brownings will put the new clothing agency in his hands.”
Jane listened distractedly.
“It will mean the world to us if he gets this, Jane. You have no idea what a struggle it is trying to keep up appearances on Dad’s present commission. I sometimes wonder how we’ll manage to live when he retires. He hasn’t put enough away for us to be really comfortable in our old age.”
“Mum,” cried Jane desperately. “I have to go now. I’m expecting such an important call. I’ll phone you tomorrow, I promise.”
“Why is this call so important to you, Jane?” her mother asked idly, making Jane feel even more frantic as her mother launched into another trivial homily. “Has your agent another engagement for you? It amazes me how people can even afford to attend concerts at today’s prices. Dad and I can only manage to one if you are kind enough to give us complimentary tickets and, to be really honest, some of that modern music bores us stiff and Dad is inclined to nod off and snore – so embarrassing – but beggars like us can’t …”
“Yes, Mum, I know. Look after yourself and give Dad my love. Goodbye.”
Even as she replaced the telephone, she could hear her mother’s voice rambling on unabated. She would be hurt and accuse Jane of cutting her off. She knew she should have granted her mother her customary half-hour of chatter about inflation, the parlous state of the country and the St Albans social scene, but she was desperate to have the phone free in case Derek should have a spare moment by himself to phone before the television interview.
Dejectedly she slumped into her favourite easy chair in front of the television. She had turned the sound down in the vain hope that Derek might yet telephone, although she was beginning to doubt whether he would now, only half an hour before the live TV show was due to commence. Perhaps he’d been trying to call her while her mother hogged the line or perhaps Linda was all over him and he couldn’t find a moment to himself.
She could hear his voice offering the usual excuse for breaking this or that promise.
“It’s so difficult at times, darling. Linda is always with me when I’m at home.”
Jane often asked herself what on earth he and Linda found to do all the time they were together if he had really not slept with her for the last five years. She remembered an occasion when she and Derek were together in the flat after one of his prolonged holidays with Linda, nearly three years ago. She had been weeping foolishly because she saw so little of him, knowing even as she wept, that he hated tears and if she wept too often she might eventually drive him away. It was his wife’s prerogative to weep and nag. Jane, the mistress, was supposed to be cheerful, loving and light-hearted, unperturbed by broken promises, always understanding him when his wife failed to do so.
“You don’t think I actually sleep with her?” he had asked, outraged. “I haven’t been to bed with her for years. She’d wonder what the hell I was doing if I tried anything on like that! We don’t even share a bedroom.”
“But you say she loves you, that you can’t leave her…” Jane had trailed off hopelessly.
He had not answered. He didn’t want to get involved in a discussion about whether or not he could leave Linda. Instead, he drew Jane into his arms and made love to her for the second time that day with all the energy of a younger man and the deference and gentleness of an older one, willing her to forget her desolation at his departures and the futile existence she led without him as she lived in anticipation for the few stolen moments they could spend together.
While everyone insisted nowadays that marriage was not important, that girls could do as they pleased, Jane was beginning to feel she was missing out on one of life’s major experiences. All her friends were married with young children now, and although they thought she remained single because of her successful musical career as an accompanist, they persisted in arranging meetings with ghastly men who had nothing to recommend them except their bachelor status. Derek, on the other hand, was perfect in every way, but attached and therefore ultimately unattainable. Derek had driven the need for secrecy at her from all sides.
“Don’t trust anyone but yourself, darling,” he would say. “You only have to tell one person and before you know where you are everyone will hear about it, and if word gets back to Linda she would kill us both.”
She wished she could be honest with her friends, even if they thought it peculiar, even disgusting, for her to be involved with a married man older than her own father. She had not dared to tell Derek that she had confided in her closest friend, Louisa. Jane looked forward to visiting Louisa, knowing she could trust her not to gossip about the affair, or condemn her as a two-timing slag. Jane knew that it was Derek who had everything on his side: a pretty, discreet young woman, who adored him, was available at the shortest notice, and made no demands on him to leave his wife. She had entered the relationship knowing that he would never break up his marriage. In the heady days of their blossoming love, it had been enough just to be with him when he had the time to spare. She worshipped the ground he walked on, but as she grew older she wanted something more lasting than an affair, which, in the end, would have no meaning in the grand scheme of things. With a start she saw Derek appear on the television screen and jumped up from her chair to turn the volume up once again. She could not bear to miss a moment of the programme. “I have pleasure in introducing the celebrated tenor, Derek Bailey in our series Musical Memories, Michael Broadstairs was saying. “Hello, Michael,” Derek replied, “How very kind of you to invite me on to your programme tonight. It has been such ages since last we met…”
She heard his first few words in that beautifully modulated voice she knew so intimately. She reflected on the five years she had spent with him, and marvelled, with just a tinge of bitterness, at how much futile joy she had crammed into her life in that time.
The three women of the past and present who had shared various parts of Derek Bailey’s life and moulded in different ways, felt quickening heartbeats at the sound of his voice which had altered little with the passing years. His recording of Questa e Quella from Rigoletto in English was playing in the background:
Though with one girl I was happy this morning,
Yet tomorrow, yet tomorrow, another I’ll find.
This book is available as a paperback and as an epub epub. Look at Fiona’s Store for more information.
REVIEWS posted when the book was first published.
By mjpotenza 2011
Any fan of short stories will enjoy this selection of entertaining tales by Fiona Compton. The
author presents women’s viewpoints, emotions, and experiences accurately and
uniquely. The women characters are interesting, complex, and sympathetic (the
men are mostly cads). One wonders how much is autobiographical. The writing is
descriptive and precise. The style flows nicely, making for easy and pleasant
reading. The Wedding Singer, Miss Stratton Disappears, and The
Sunset Gleams, to name a few, all have the right combination of humour and
sadness. In short, these well written stories are very enjoyable.
By Pearl Harris (language practitioner)
Each short story in this collection is refreshingly different and will touch
a chord in the heart of most female readers. All the characters are masterfully
and realistically portrayed. Many of the incidents depicted are those which
affect all women at various times in their lives and with which the reader can
readily empathise. Some bring a chuckle and a feeling of optimism, others a
feeling of sadness. All left a lasting impression on me. Fiona Compton’s voice is
a charming mix, evidence of her Scottish, South African and musical roots.
These stories particularly appeal to me as an expatriate South African, as many
of them richly evoke the South African lifestyle. However, all are timeless in
their own right and certainly worth reading by both women and men, whatever
TASTER – A few pages of The Song is Ended
A fascinating article by an author I admire very much indeed.
This is just a quick message to wish a Happy Christmas to all my lovely blog followers.
I can’t believe another year has nearly gone by. It’s been an up and down year for me. I signed my new amazing book contract with Headline Books in the early part of the year. Then almost immediately after that my mother died. We had looked after her for eleven years so it was a terrible sadness for us, and left a big hole in our lives.
It took me a while to be able to get back to writing, but now I’m glad to report that my latest contracted novel, the fifth in my LAVENDER ROAD series, is coming along well.
And once again I can’t help comparing what life was like at Christmas in London during the war years.
In 1942 there were very few fresh turkeys or chickens to be…
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I have decided to publish volumes 1 and 2 in one book. The book is available as a paper back print and epub. The whole thing could be read as a novel complete in itself. Both novels concern the life and career of famous British tenor. Malcolm Craig, his successful career in Britain, and his three marriages. Read more about all my books at: Fiona Compton’s books.
The last two novels in the Malcolm Craig series combined in one book:
Once again, volumes 3 and 4 of the Malcolm Craig series could be read as one novel. Most of it is set in South Africa to where Malcolm Craig and Marina Dunbar move in 1956 after problems with the British Inland Revenue. Their lives have taken a new direction in a new country. Their marriage is no happier than it was for many years in the UK, and Kate Kyle (the fictional name for Fiona Compton herself) now writes her Roman a Clef/autobiographical novel largely from her own experience, although there are still many fictional elements in the story. In many ways, the idea of Kate and Malcolm having an affair when she is in her late teens, and Malcolm is married, and 42 years older than her, might seem like a shocking state of affairs. The story held my interest and the conclusion to the saga is satisfactory (depending on your point of view) although it is possible that Fiona Compton used her imagination rather than fact to reach this conclusion.
I found Love Set to Music most interesting. Neither Kate Kyle nor Malcolm Craig are covered in glory and some might consider their spring/winter relationship unseemly even over fifty years later. They obviously felt deeply for one another and Malcolm Craig’s wife, Marina Dunbar, was not without blame. I sincerely hope that the final novel will reach a satisfactory conclusion otherwise the emotion generated by the affair which changed the life of Kate Kyle/Fiona Compton radically without bringing her lasting happiness would have been a meaningless waste of time.
The final novel in the Malcolm Craig series, A Song for You and Me, held my interest even more than the three earlier books as this final novel reaches a conclusion to the tale.
Like the Christmas Special which concluded the long-running Downton Abbey, the end of Fiona Compton’s novel reaches a satisfactory resolution although the finale of the Malcolm Craig series is merely implied, rather than described in graphic detail. One is left to imagine what happens to Malcolm, Kate, and Marina in the years that follow.
Somehow I doubt whether the conclusion of this series of novels is the way the tale ended in reality, but perhaps that is why Fiona Compton chose to present it as a work of fiction rather than fact.
Both books are available as paperbacks and as epubs. Have a look at Fiona’s Store – Fiction with a musical theme
All the cover photos in the series are by Errol Collen.
The Malcolm Craig series of 4 novels is a mixture of a Roman à clef, and a biographical-autobiographical novel.
Such a novel is described as a novel about real life, overlaid with a façade of fiction.
A few examples of such novels include:
Ann Veronica (1909) by H. G. Wells is based in the real relationship between H. G. Wells and Amber Reeves
Sons and Lovers (1911) by D.H Lawrence must surely be considered a novel in this form.
Writers have chosen to write this form of novel or play for various reasons including satire, controversial topics, turning the tale the way the author would have liked it to have gone, or writing about oneself or others without disclosing the names of the real people involved. As a novel is supposed to be fiction rather than fact, elements of fiction and fact can intermingle in a way that would be unacceptable in a work of non-fiction where the reader assumes that the writer has done proper research into the subject of the biography and that facts could be substantiated.
The four novels in the Malcolm Craig series are broadly based on fact, but many incidents are purely products of my imagination and do not pretend to be the truth. The last two books, in particular, are largely based on my own private experiences which I have recreated as fiction thanks to my memory, contemporary diaries, and a fair share of imagination.
Using this form gave me the opportunity to write about people I knew very well indeed and who had a profound and lasting influence on my life. The first two novels are based on my knowledge and research into their lives before I met them; the last two novels are based on my relationship with them. Needless to say, the character of Kate Kyle is based on me in the final two books.
While I treasure my association with Malcolm Craig and Marina Dunbar, telling the story truthfully in its entirety would be a mere recitation of events as they occurred. Because this series is fiction overlaid with fact, the very last part of the last volume is pure fiction – the way I would have liked the story to end, rather than the way it did.
The four volumes in The Malcolm Craig series are available in print and as epub ebooks at: Fiona’s Store – Fiction with a Musical Theme